Showing 81 - 87 of 87 results.
Complaint under section 8(1)(a) of the Broadcasting Act 1989Parliamentary Question Time – showed Deputy Prime Minister at times when he was not answering or asking questions – allegedly unbalancedFindingsStandard S6 (balance) – programme did not approach the proceedings from any particular perspective – balance not required – not upheldThis headnote does not form part of the decision. Broadcast[1] Coverage of Parliamentary Question Time was broadcast on Sky News at 2pm on 7 April 2005. Complaint[2] Michael Gibson complained that the broadcast was unbalanced because it focused on the Deputy Prime Minister, Dr Michael Cullen, at times when he was not asking or answering questions. The coverage had shown Dr Cullen “grinning and derisively showing a dismissive attitude towards the Opposition”, he said. [3] Mr Gibson argued that the broadcaster had broken the same rules which had caused TV3 to be banned from filming in Parliament recently....
Summary[This summary does not form part of the decision. ]The music videos for ‘Starboy’ by The Weeknd and ‘Sexual’ by Neiked were screened between 9pm and 10pm on MTV’s Top 20 Hits. The introduction to the music video for ‘Starboy’ featured singer The Weeknd being suffocated to death with a plastic bag. The music video for ‘Sexual’ featured a variety of animated sexual imagery, including animals having sex and a girl lifting her shirt to expose her breasts. The Authority did not uphold a complaint that these videos were offensive and disturbing. It recognised that the content was challenging and understood the complainant’s concerns regarding the graphic content of such music videos and their impact on young audiences. However, the videos were classified 16C and broadcast between 9pm and 10pm on a Sunday evening, and the programme featured an audience advisory for content....
Summary[This summary does not form part of the decision. ]The Authority has not upheld a complaint that statements made during Uncharted with Sam Neill were inaccurate. A complaint was made that host Sam Neill and an interviewee during the programme implied that missionaries primarily came to New Zealand for the purpose of acquiring land, which was misleading and misrepresented their good work. The Authority considered that the programme was clearly framed from the outset as a chance for untold or unexplored stories and perspectives to be expressed. In these circumstances, the Authority found that the statements complained about were clearly distinguishable as analysis, comment or opinion and were therefore not subject to the requirements of the accuracy standard. The Authority’s intervention in upholding the complaint would therefore represent an unreasonable and unjustified limit on the right to freedom of expression....
The Authority has not upheld a complaint that footage of spectators fighting during the half-time of the EURO 2020 final breached the violence standard. The Authority found the broadcast was justified by its context. Live sporting events are not subject to classification. The item was a live international feed where the broadcaster had limited editorial control, the content was not particularly graphic and the commentators indicated their disapproval of the violence. Not Upheld: Violence...
BEFORE THE BROADCASTING STANDARDS AUTHORITY Decision No: 1997-179 Dated the 15th day of December 1997 IN THE MATTER of the Broadcasting Act 1989 AND IN THE MATTER of a complaint by H M ROMANIUK of Auckland Broadcaster SKY NETWORK TELEVISION LIMITED S R Maling Chairperson L M Loates R M McLeod J Withers...
Complaints under section 8(1B)(b)(i) of the Broadcasting Act 1989Australian Tennis Open – some footage included a “Live” watermark even though the matches had already been played – allegedly inaccurateFindings Standard P8 (accuracy) – not a “significant error of fact” – not upheldThis headnote does not form part of the decision. Broadcast[1] From 14 to 27 January 2008, footage of the Australian Tennis Open was broadcast on SKY Sport 2 between 1pm and 12am. Between matches that were broadcast live, historical footage, simultaneous matches, and highlights from matches which had already taken place were screened to fill in the scheduled breaks. Some of these were introduced by commentators as footage that was filling the time between matches, or identified as games that had already been played earlier in the tournament. For example:. . . Later on, we’ve got the second of the men’s singles semi-finals. . ....